Description of the geography of Bharatavarsha in the Markandeya Puranam
The Puranic origins, significance & iconography of the Saptamatrikas
From top left : Brahmani, Vaishnavi, Maheshwari, Indrani, Varahi, Kaumari, Chamunda |
Saptamatrikas in the Puranas
It is well known that after the slaying of Asuras Hiranyaksha & Hiranyakasipu by Maha Vishnu in his Varaha & Narasimha avatara, Hiranyakasipu's only son Prahlada, who was a great devotee & bhakta of Maha Vishnu renounces all concerns of worldly life. After Prahlada, it was Andhakasura who began ruling over the asuras. Like other asuras before him, he had an irresistible & mad desire to conquer the Devas & rule over all the 3 worlds.
In order to attain the powers needed to fulfill his desires, Andhakasura would go on to perform a long series of severe austerities in order to please the creator of the universe, Lord Brahma. The latter pleased by Andhakasura's devotion & dedication would grant him some very powerful boons including that of creating maya & immortality(with an exception that he could be slayed only by Lord Shiva)
Filled with arrogance & pride of being nearly invincible, Andhakasura launches a ferocious attack on the Devas. All the Devas now defeated & consumed by fear turn to Lord Shiva at Kailasa for help. Even as Lord Shiva was listening to their woes, Andhaka appears at Kailasa to abduct Goddess Parvathi.
Angered by this, Lord Shiva gets ready to fight Andhaka. A ferocious battle involving other Devas including Maha Vishnu ensues. When Shiva finally manages to wound the evil asura, making him bleed, a very curious thing happens. Each time a drop of Andhakasura's blood made contact with the ground, that droplet would turn into a form of Andhaka himself. In no time there were 1000's of Andhakasuras surrounding the Devas.
Lord Shiva now identifies the original Andhakasura & pierces his body with the Trishula. Meanwhile Maha Vishnu destroys with his Sudarshana Chakra the secondary Andhakasura's that kept appearing as a result of his blood falling on the ground. To stop the blood from falling on the ground, Lord Shiva created out of the flame that was issuing from his mouth a Shakti called Yogeshwari. Brahma, Vishnu, Indra, Varaha, Skanda & Yama too send their Shaktis in order to catch the blood of Andhaka from touching the ground.
These 7 female counterparts i.e. Brahmani, Vaishnavi, Maheshwari, Indrani, Varahi, Kaumari & Chamunda together came to be known as the Saptamatrikas. The Saptamatrikas are armed with the same weapons,wear the same ornaments, ride the same Vahanas & carry the same banners corresponding to their male counterparts.
The 7 Matrikas caught all drops of blood as they fell in the batlle between Lord Shiva & Andhakasura, thereby stopping the further multiplication of the evil asura. Lord Shiva finally with the help of Saptamatrikas slays Andhakasura.
Significance of the Saptapatrikas according to the Puranas
In the Maha Puranas, the number of Matrikas is placed as 7. Only exception is the Varahapurana which places it at 8. It includes among them goddess Yogeshwari mentioned a few paragraphs above. According to the Varahapurana the story of Andhakasura & the Matrikas is an allegory. It represents Atma Vidhya or spiritual wisdom as warring against Andhakara(the darkness of ignorance) of which Andhakasura was a personification of.
The spirit of Vidhya, personified by Lord Shiva fights with Andhakasura, the darkness of Avidhya. The more this is attempted to be attacked by Vidhya, the more does it tend to increase for a while; this is represented by the multiplication of the figures of Andhakasura.
Unless the 8 undesirable qualities of Kama(desire), Krodha(anger), Lobha(covetousness), Mada(pride), Moha(illusion), Matsarya(fault finding), Paisunya(tale-bearing) & Asuya(envy) are completely brought under control of Vidhya & kept under restraint, it can never succeed in defeating Andhakara.
Iconography of the Saptamatrikas
The Agama shastras lay down specific rules on how the 7 Matrikas have to be depicted. They state that Brahmani should be depicted like Brahma, Vaishnavi like Vishnu, Maheshwari like Maheshwara, Indrani like Indra, Varahi like a short woman with angry face, Kaumari like Skanda & Chamunda as a terrific woman who should possess a dark complexion & have 4 hands, she should wield the Trishula in one of her hands & carry a Kapala in another.
All the Matrikas are to be seated images & should have two of their hands held in Varadha & Abhaya mudras, while the other two hands should carry weapons corresponding to their male counterparts. They are to be shown seated upon in padmasanas in sculptures.
Saptamatrika iconography was widespread throught ancient Bharatavarsha. From Lalitaditya's Kashmir to the southernmost realms of the Pandyas, from the westernmost frontiers of ancient Bharat once controlled by the Pratiharas to the easternmost ruled by the Palas. The Saptamatrika was a pan-Bharat iconography & still is. Though much of the sculptures have been lost to barbaric turushka invasions in the west, north & east, they continue to be well preserved in Southern Bharat.
We'll have a look at few of these sculptures from the Srikanteshwara Swamy Devastana at Nanjangudu near Mysuru in Karnataka.
2) Vaishnavi
Saptamatrika panel |
Elements of Hindu Iconography by TA Gopinath Rao.
Thirty Two forms of Lord Ganesha from the Srikanteshwara Swamy Temple at Nanjangudu, Karnataka.
Various forms of Ganesha (from left: Panchamukha Ganapathi, Simha Ganapathi, Heramba Ganapathi and Siddhi Ganapathi) |
Taruna Ganapathi. Represents the youthful form of Ganesha. His arms carry paasa(rope), hook, kadubu(a sweet variety), guava fruit, tusk, paddy & sugarcane. He is red in colour.
4) Nrithya Ganapathi
5) Veera Ganapathi
Haridra Ganapathi. Turmeric Ganesha. He has 4 arms & is yellow in colour. His hands hold a tusk, an ankusha, the paasa & the modaka sweet.
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