Showing posts with label Karnataka. Show all posts
Showing posts with label Karnataka. Show all posts

Thirty Two forms of Lord Ganesha from the Srikanteshwara Swamy Temple at Nanjangudu, Karnataka.

On the occasion of Vinayaka Chaturthi, here's my writeup on the many manifestations of Lord Ganesha from the Srikanteshwara Swamy Temple at Nanjangudu near Mysuru in Karnataka. The iconography related to these forms of Lord Ganesha find mention in the Mudgala & Ganesha Purana. The Sritattvanidhi, an iconometric treatise written by the then Maharaja of Mysore, Shri Krishnaraja Wodeyar III also mentions these 32 forms of Vinayaka. In this post we will take a look at each one of these 32 different forms.

The Srikanteshwara Swamy Temple at Nanjangudu is one among the rare temples where each one of these 32 forms of Ganesha have been carved on the outer precincts of the Temple. While some of the forms are well known & widely worshiped, other forms are invoked & worshiped by specific sects only.

Various forms of Ganesha (from left: Panchamukha Ganapathi, Simha Ganapathi, Heramba Ganapathi and Siddhi Ganapathi)

Before moving on to the 32 forms, we'll take a brief look at the origins of Ganapathi in our puranas & his subsequent development into a major deity in the pantheon of Hindu gods.


Account from the Linga Purana

The name Vigneshwara first appears in the Lingapurana. Vigneshwara, as the name suggests was the deity conceived in order to put or remove obstacles. Asuras & rakshasas after receiving boons from Lord Shiva, turn out to be a major menace for other Devas. Rendered helpless ,the King of the Devas Lord Indra approaches Lord Shiva with a prayer to create a being who would throw obstacles in the way of the Rakshahas & Asuras in an attempt to render them unfit to receive any further boons. Lord Shiva heeds to this request. 

One of the Amshas of Lord Shiva, a part of his power took the form of an brilliant being & was delivered out of the womb of Devi Parvathi. This being was named Vigneshwara by Parameshwara himself. Lord Shiva tasks Vigneshwara to be a major impediment in the path of rakshasas, asuras & other evil beings from attaining boons & other undesirable powers. At the same time Vigneshwara also has the power of removing obstacles in the path of noble & good beings. This is one of the account of the origins of Vigneshwara from the Puranas.

Account from the Shiva Purana

The Shivapurana gives the following account of the birth of Vigneshwara. This is from the Shwetakalpa. Jaya & Vijaya, the companions of Devi Parvathi suggested to her to have a personal Gana(attendant) attending to her exclusively. Parvathi heeds to this advice & creates a being out her own Amsha. Thus was born a handsome young boy. Parvathi orders this boy to keep strict vigil of her quarters with the instruction to not allow anyone inside without her permission. It is during this time that Lord Shiva himself is refused entry by this new Dwarapalaka. 

A fight ensues during this time between this valiant boy & Lord Shiva. Angered by this rude behaviour, Lord Shiva instructs his army of Bhuta-Ganas to fight this boy. In the fight that followed the little boy defeats all the Bhuta Ganas single-handedly. Lord Maha Vishnu & Lord Subramanya too try their hand at subduing this boy & they too fail. The stunned Lord Shiva finally manages to subdue him by slicing off the young boy's head.

The news of the killing of this young boy is broke to Parvathi by Sage Narada. Consumed by grief & anger, Parvathi Devi unleashes a host of terrible & terrific goddesses on the Devas who brought grief on her. Narada & other sages pray to Parvathi in order to calm her down & she is assured that her creation will be brought back to life. Lord Shiva then instructs the Devas to head north & bring the head of the first living being they meet & fix it on the neck of the beheaded creation of Devi Parvathi. 

The first being the Devas encounter would be an elephant with only a single tusk. Thus sprang to life again Ekadanta(single tusked), who is also known as Gajanana(elephant faced). Ekadanta apologises to his father Lord Shiva & other Devatas for causing them much grief. Lord Shiva in turn appoints his son as the leader of his attendants, the Ganas. Thus Gajanana also came to be known as Ganapathi( Commander of the Ganas)

The Varaha & Matsya Purana too mention in detail the origins of Ganesha, but the above two remain the most popular till this day.


32 different forms of Ganesha



1) Bala Ganapathi


Ganesha in his child form. He has four arms, each holding a fruit; namely mango, jackfruit, banana & sugarcane. He holds the modakam sweet with his trunk. The colour of this form of Ganesha is that of a rising sun.

2) Dhundi Ganapathi
Meaning "the Ganapathi sought after". He has four arms. His right hands holds a tusk & a japamala. The other two arms hold a kuthara(axe) & a ratnapatra(pot of gems)


3) Taruna Ganapathi

Taruna Ganapathi. Represents the youthful form of Ganesha. His arms carry paasa(rope), hook, kadubu(a sweet variety), guava fruit, tusk, paddy & sugarcane. He is red in colour.


4) Nrithya Ganapathi
He is depicted with 4 arms dancing under the sacred Kalpa vriksha(not seen here). He also holds a Trishula with his right upper arm. The colour of the body of this Ganesha has to be golden yellow.

5) Veera Ganapathi


Ganesha has 16 arms here! He wields some of the most fascinating weapons here. That include bhetala, dhanus, bhana, chakra, khagga(sword) , gada, mudgara(hammer), nagapasha, kunta(spear), kutthaara(axe), a dwaja, Alamba(hook),musala(club), trishula, kavacha. Veera Ganapathi is red in colour.


6) Shakti Ganapathi


This manifestation represents the powerful form of Ganesha. He has 6 arms with Shakti devi seated on his left lap. The general characteristics of Shakti Ganapathi are that he should be seated on the padmasana with a green coloured Shakti by his side, whom he should be embracing about her waist, and that there should be no contact between the hips of the god and the goddess. His colour should be that of the setting sun. He should hold the weapons paasa & vajra and be made to look terrific.


7) Dvija Ganapathi


Dvija Ganapathi. Meaning "the Ganapathi twice born" referring to Lord Shiva beheading & restoring him with an elephant's head at the orders of Parvathi devi. Dvija Ganapathi has 4 heads & 4 arms. Totally white in colour. His arms hold a rudraksha, kamandalu, dhanda & pustaka.


8) Vijaya Ganapathi


Victorious Ganapathi. He has 8 arms. According to the Mudgala purana, a purana exclusively dedicated to Ganesha there is also another depiction of Vijaya Ganapathi which is different to this one. Shows him seated on the mookshika & has 4 arms.


9) Rinamochana Ganapathi


Rinamochana Ganapathi. "Ganapathi the liberator from debts" Ganesha is seated on a lotus flower. He is the remover of impediments. He has 4 arms & white in colour. He holds varada mudra, an ankusha, a paasa & a payasapaatra. Invoking this Ganesha will remove all obstacles.


10) Maha Ganapathi


Maha Ganapathi. He is the representation of Ganesha as the supreme parabrahman. Shakti seated on his lap is called Pushti (nourishment).He has 10 arms & red in colour. His hands hold a tusk, pomegranate fruit, musala, sugarcane dhanus, chakra, paasa, kamala, paddy & ratnapatra. Famous Carnatic composer Shri Muthuswami Dikshatar has composed a very famous song on this form of Ganesha called Mahaganapathim manasa smaraami.


11) Shrishti Ganapathi


Ganesha is invoked in this manifestation as the creator of everything that is known. He is red in colour, has 4 arms each holding a tusk, ankusha, paasa & a mango fruit.

12) Heramba Ganapathi
Ganesha, the protector of the weak. He has 5 heads & his vahana is a Simha. He has 10 arms. He holds a Abhaya mudra, a japamala, nimbu fruit, musala, ankusha, paasa, parashu, kadubu sweet, tusk & left arm holds varada mudra which is symbolic of boon giving. The colour of Heramba Ganapathi has to be golden yellow.




13) Kshipra Ganapathi

Kshipra Ganapathi. The Ganesha who is easy to please. He has 6 arms & is red in colour. His hands hold a tusk, a twig of a Kapila vriksha tree, an ankusha & a pomegranate fruit. With the trunk he carries a ratnakumbha.

14) Urddhva Ganapathi
Urddhva Ganapathi. Meaning the "Elevated Ganesha." carries in five of his hands a kalhara flower, ears of paddy, a bow made of sugarcane, the bana  & the tusk. With one of his arms he embraces Shakti about her hip. The colour of this Ganapathi is golden yellow and that of the associated Shakti is like that of the lightning. Unfortunately the trunk is broken here & the shakti too is cracked.




15) Simha Ganapathi

Simha Ganapathi. He is lion faced with an elephant trunk. He has 8 arms & is white in colour. With his arms he holds a Veena, a twig of the Kalpa vriksha, a chakra, a kamala, ratnakumbha, Abhaya & varada mudras. This form of Ganesha symbolizes great strength & courage.




16) Durga Ganapathi

Durga Ganapathi. "The invincible Ganesha" having the same attributes of Goddess Durga, who too is invincible. He has 8 arms & is golden in colour. He holds an ankusha, a bhana, a japamala, a paasa, a dhanus, a kalpa vriksha twig, an apple & is dressed in red clothes.




17) Tryakshara Ganapathi

Tryakshara Ganapathi. Known as the Lord of the three most auspicious letters AUM. 
He has 6 arms each holding a ankusha, a mango fruit, a tusk, a ghanta. He also holds the modaka sweet with his trunk.




18) Sadashiva Ganapathi

Sadashiva Ganapathi. Ganesha of the highest manifestation. He has 5 faces & 10 arms. Much similar to the Sadashiva iconography of Lord Shiva. His arms hold many weapons similar to Sadashiva & there is also a Shakti seated on Ganesha's lap. This is a very rare depiction.




19) Haridra Ganapathi

Haridra Ganapathi. Turmeric Ganesha. He has 4 arms & is yellow in colour. His hands hold a tusk, an ankusha, the paasa & the modaka sweet.


20) Uddanda Ganapathi


Uddanda Ganapathi. This is the Ganesha who enforces Dharma. He has 10 arms & is accompanied by a Shakti. He is red in colour. His 10 arms each hold a tusk, musala, kamala, paasa, ankusha, paddy, kamandalu, sugarcane dhanus, chakra, shanka & pomegranate fruit.

21) Vighna Ganapathi
Vighna Ganapathi. He has 8 arms & is golden in colour. His hands hold a tusk, a chakra, pushpa bana, shanka, paasa, ankusha, sugarcane, parashu.



22) Vara Ganapathi


Vara Ganapathi. Boon giver Ganesha. He has 4 arms & is red in colour with Shakti seated on his lap.



23) Uchchhishta Ganapathi


Uchchhishta Ganapathi. He has 6 arms & is blue in colour. He holds an akshamaala, a pomegranate fruit, a kamala, a veena, paddy. Shakti is seated on his lap. She is called Vigneshwari.



24) Sankatahara Ganapathi


Sankatahara Ganapathi. The Ganesha who removes sorrow. He has 4 arms & is red in colour. He is dressed in blue & seated on a red lotus flower. He holds a vessel with payasam along with an ankusha & a paasa.



25) Siddhi Ganapathi


Siddhi Ganapathi is depicted in a standing posture. He is the Ganesha who is the epitome of achievement & self mastery. He is golden yellow in colour & has 10 arms using which he holds parashu, ankusha, musala, mudgara, alamba, kuthara, kunta, paasa, sugarcane & mango fruit.


26) Bhakthi Ganapathi
Bhakthi Ganapathi. The Ganesha who is dear to his devotees & is pleasant to look at. He has 4 arms (damaged here.. So is the trunk) He holds a banana, a mango, coconut & a payasapaatra.



27) Kshirpra Prasada Ganapathi


Kshirpra Prasada Ganapathi. The Ganesha who quickly rewards his devotees. He has 8 arms (sometimes 6) and is red in colour. He holds a tusk, an ankusha, lotus flower, Kalpa vriksha leaf, paasa, lemon fruit with his arms.



28) Ekaakshara Ganapathi


Ekaakshara Ganapathi. In this form Ganesha is identified with the Bheejakshara "Gam" He has 4 arms & is red in colour. He holds a single tusk, an ankusha, the paasa & modaka sweet.



29) Ekdanta Ganapathi


Ekdanta Ganapathi. Ganesha with a single tusk. He has 4 arms & is blue in colour. He holds a tusk, a japamala, a kuthara (hatchet) & laddu sweet. The hatchet is held to signify cutting the bonds of ignorance.



30) Yoga Ganapathi


Yoga Ganapathi. Ganesha is in a yogic posture & red in colour. His hands hold a akshamaala & sugarcane. This particular unfortunately is damaged. The trunk too is damaged. Yoga Ganapathi is described as wearing a robe which shines like the blue sapphire gem.



31/32) Panchamukha Ganapathi


Panchamukha Ganapathi. 5 faced Ganesha. While the Mudgala purana mentions a Dvimukha(two faced) & Trimukha(three faced) Ganapathi separately, this Temple at Nanjangudu has a murthi of Panchamukha Ganapathi instead. He is called Kadrimukha Ganapathi. He has 5 faces & 10 arms.




I have also written on 25 different forms of Lord Shiva from the same Temple that can be read HERE

And also on 10 different forms of Lord Dakshinamurthy from the same Temple that can be read HERE


References
Elements of Hindu Iconography by TA Gopinath Rao

Ten forms of Shri Dakshinamurthy from the Srikanteshwara Swamy Temple at Nanjangudu.

Dakshinamurthy is an aspect of Lord Shiva where he is depicted as a Guru (teacher) of Yoga, music & science. He came to be known as Dakshinamurthi since he taught the rishis; Yoga & Jnana facing Dakshina (South direction). Shri Adi Shankaracharya has praised this aspect of Lord Shiva in his Shri Dakshinamurthy Stotram. 

Dakshinamurthy is viewed in mainly four different aspects; as a teacher of Yoga, as a teacher of Veena, as a teacher of Jnana & as a teacher of various other Shastras. Apart from these 4 main aspects we will also be taking a look at few other aspects depicted at the Nanjangudu temple.
Various aspects of Shri Dakshinamurthy



1) Veena Dakshinamurthy
Veena Dakshinamurthy
This form of Lord Shiva represents his music teacher aspect. Here he is seen with 4 arms. In the front right hand he holds akshamaala, a naga (snake) in the rear right hand symbolizing tantric knowledge. Veena with left rear hand & palm leaf text with the front left.


2) Samba Dakshinamurthy
Samba Dakshinamurthy
Unfortunately the murthi's upper right arm is damaged. He holds an Abhaya mudra with front right hand & a text in the front left. He is initiating knowledge to his disciples.


3) Yoga Dakshinamurthy
Yoga Dakshinamurthy
Here he is sitting in the Utkutikaasana here. His back arms hold an aksha maala & Kamandalam respectively. While the front are in Abhaya mudra & varda position. He also is holding sacred texts with the left hand indicating he is imparting knowledge.



4) Samhaara Dakshinamurthy
Samhaara Dakshinamurthy
Unlike other forms, here he is not seated. He holds Apasmara, who is the personification of ignorance down with his right knee & left leg. His right hand is in Abhaya position & left arm rests on his left knee. He also holds an antelope with left upper hand. Antelope is the personification of chanchalata i.e. restlessness & anxiety. Dakshinamurthy by holding & taming it is indicating to us that he his removing these feelings from our mind. Just like how he holds Apasmara (ignorance) at his feet.


5) Shakti Dakshinamurthy
Shakti Dakshinamurthy
Depicts goddess Parvati seated on his lap. Rear right hand holds a Kamandalam, left hand holds a palm leaf manuscript of knowledge. Both him & Parvathi are holding Abhaya mudra with right arm, while his left arm rests on Parvathi's thigh.


6) Jnana Dakshinamurthy
Jnana Dakshinamurthy
Jnana Dakshinamurthy is also referred to as Medha Dakshinamurthy. He holds an akshamaala with front right hand while his left rests on the knee. Here too he is sitting in Utkutikaasana posture.


7) Anusthana Dakshinamurthy
Anushtana Dakshinamurthy
This is also slight departure from the regular description of Dakshinamurthy. Here its the left foot that rests on the ground as opposed to the usual right leg. Its a very rare depiction only seen at a handful temples. It shows him in deep penance.


8) Vyakhyana Dakshinamurthy
Vyakhyana Dakshinamurthy
Here he holds the Vyakhyanamudra, which represents the gesture of teaching. There are also one other forms of the same, which is one of the most common depictions of Dakshinamurthy. In most of the temples he is depicted as Vyakhyanamurthy.


9) Vidhya Dakshinamurthy
Vidhya Dakshinamurthy
Vidhya Dakshinamurthy. He holds a Veena with his upper right arm while the lower arms are in the Abhaya & Varada poses. His matted hair is thick & long. Also observe the Chandra (moon).


10) Vatamoola Dakshinamurthy
Vatamoola Dakshinamurthy
Vatamoola Dakshinamurthy
Here he is depicted as sitting beneath the Vata vruksha (Banyan tree). The tree represents the expanding universe, suggesting Dakshinamurthy presides over the cyclic process of sristhi (creation), sthiti (preservation) & samhara (absorption).


I've written another post detailing 25 forms of Lord Shiva known as Panchavimshatililamurti from the same temple that can be read Here


Murudeshwara Temple & the story of the Atma Lingam.

Murudeshwara Temple Complex
The temple town of Murudeshwara signals the rise of the Hindus at every level. If hindu renaissance had to pick a place, this would be it. Entire town-temple complex showcases the enormous potential Hindu pilgrimage has for the rest to emulate.

This is the Raja Gopuram of the Murudeshwara Shiva temple, at around 238 feet it is the tallest gopuram in the State of Karnataka.
Gopuram

The Gopuram sits on a tiny bit of land connecting the mainland to the Kanduka Hill, which is home to India's tallest Shiva statue.




The gold coloured Vimana of the main Shiva temple,which houses a part of Mahadeva's atma. Overlooking it is the massive Raja gopuram.
Vimana & Gopuram



Breathtaking view of Bharat's tallest Shiva statue from the temple complex.
Vimana & Shiva statue



Was blessed with this view on my 3 day stay at Murudeshwara. Just can't get enough of Shiva!
Shiva on Kanduka Hill

Gopuram 


The Nandi facing the Shiva statue, in the back drop the rajagopuram
Nandi


On the base of the massive Shiva statue is a cave, its called Bhookailasa. It depicts the story of the Atmalingam beautifully via tableaus. The tableaus are so life like that one wouldn't even need a backdrop to understand the story of the atmalingam. Every kid must be shown this.



Here is the story. Ravana's mother Kaikesi praying to the lord in form of a lingam made out of clay.
Kaikesi praying to clay Lingam


Upon realizing the clay lingam getting washed away everytime on the seashore, Ravana vows to get his mother Lord Shiva's atma itself
Shocked expressions all around as Ravana vows to get Shiva's atma.


Ravana sets out on a long penance to please Lord Shiva to grant him his varam.
Ravana performing penance


Ravana intensifies his tapasya to please the lord.
Ravana in intense tapasya


Despite months and years of intense tapasya, Shiva doesn't pay heed to Ravana's call. Enraged by this he goes lifts Kailasa to get Lord Shiva's attention
Ravana lifts Kailasa parvata

Moved by Ravana's steadfast devotion, lord finally grants him darshanam. Shocked look on Parvathi's face when Ravana asks for the atmalingam,
Shiva grants darshan to Ravana


Meanwhile Narada, who is always on the move in all the trilokas gets a whiff of the entire thing & approaches Maha Vishnu for help at Vaikuntam.
Narada approaches Maha Vishnu for help


Vishnu diplomatically tells Narada that he can't do much at this point & asks him to approach Lord Ganesha, which Narada does so dutifully.
Narada approaches Ganesha on Vishnu's advice.


Meanwhile Ravana who is convinced that the atmalingam is all his, enters into to marriage with Mandodari in Lanka.
Ravana weds Mandodari


Ravana leaves his newly wedded wife Mandodari for the forests for another round of intense tapasya in his quest for the Atmalingam.
Shocked expression on Kaikesi's face as she learns Ravana departing for the forest.


There's no response from Shiva despite the intense calls of Ravana, enraged he goes on to severe his own heads.
Ravana severing his own heads in rage


Unable to watch, Shiva descends & hands him the atmalinga, with a condition that it should not be placed on the ground till he reaches Lanka.And that if the lingam were ever to be placed on the ground, it would remain there forever. Ravana now sets on his journey back to lanka.
Lord Shiva handing the Atmalinga to Ravana


While Ravana makes his way back to Lanka, Vishnu & Ganesha device a plan to retrive the atmaligam from Ravana's possession. Vishnu uses his sudarshana chakra to hide the sun thus making Ravana believe that it was dusk & time for his routine evening rituals. Ravana being a devout brahmin never missed his rituals. While Lord Ganesha takes the form of a young short Brahmin boy & approaches Ravana.

Ganesha disguised at a Brahmin boy approaches Ravana.



Ravana asks the boy to hold the lingam for him while he completes his rituals, ganesha agrees to it with a condition to which Ravana agrees. Condition being that he would hold onto the lingam for as long as its enormous weight permitted him to & thereafter call ravana out 3 times. And if Ravana didn't turn up by the 3rd call he'd place the lingam on the ground..which is what exactly happens. Ganesha out smarts Ravana.
Ganesha about to place the Atmalingam on the ground.



An enraged Ravana attacks the little boy. Ganesha being the cute naughty boy that he is makes all those funny faces pretending to be scared.
A furious Ravana attacking Ganesha



Meanwhile Vishnu withdraws his sudarshana chakra, restoring the sun to its original bright state. Ravana realizes he has been tricked.
Ravana trying to uproot the Atmalingam from the ground & failing.


An enraged Ravana tries to uproot the atmalingam, fails in the process. A few pieces of it do scatter & fall away at 4 other distant places.
Ravana trying to uproot the atmalingam


The Ganesha & the main Atmalingam still stand to this day & the place is called Gokarna. Its around 90 kms north of Murudeshwara. These are the panchalinga sthala associated with the atmalingam story. Murudeshwara being one of them. The others are Gokarna, Sajjeshwara, Dareshwara & Gunavanteshwara. All these kshetras are loacted within a 100 kms radius of each other.

Panchalinga Sthalas

The scene of Ravana handing over the Atmalingam to Ganesha is beautifully depicted, this is just below the Huge Shiva statue.
Ravana tricked into handing the Atmalinga to Ganesha



Another noteworthy sculpture is this one of King Bhagiratha brings down Ganga to Bhoolokha. Ganga flows from Lord Shiva's matted hair down to earth.
Bhagiratha brings down Ganga down to earth.

Gopuram at dusk
Gopuram at dusk
Lord Shiva at night.

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