Showing posts with label Srikanteshwara. Show all posts
Showing posts with label Srikanteshwara. Show all posts

Thirty Two forms of Lord Ganesha from the Srikanteshwara Swamy Temple at Nanjangudu, Karnataka.

On the occasion of Vinayaka Chaturthi, here's my writeup on the many manifestations of Lord Ganesha from the Srikanteshwara Swamy Temple at Nanjangudu near Mysuru in Karnataka. The iconography related to these forms of Lord Ganesha find mention in the Mudgala & Ganesha Purana. The Sritattvanidhi, an iconometric treatise written by the then Maharaja of Mysore, Shri Krishnaraja Wodeyar III also mentions these 32 forms of Vinayaka. In this post we will take a look at each one of these 32 different forms.

The Srikanteshwara Swamy Temple at Nanjangudu is one among the rare temples where each one of these 32 forms of Ganesha have been carved on the outer precincts of the Temple. While some of the forms are well known & widely worshiped, other forms are invoked & worshiped by specific sects only.

Various forms of Ganesha (from left: Panchamukha Ganapathi, Simha Ganapathi, Heramba Ganapathi and Siddhi Ganapathi)

Before moving on to the 32 forms, we'll take a brief look at the origins of Ganapathi in our puranas & his subsequent development into a major deity in the pantheon of Hindu gods.


Account from the Linga Purana

The name Vigneshwara first appears in the Lingapurana. Vigneshwara, as the name suggests was the deity conceived in order to put or remove obstacles. Asuras & rakshasas after receiving boons from Lord Shiva, turn out to be a major menace for other Devas. Rendered helpless ,the King of the Devas Lord Indra approaches Lord Shiva with a prayer to create a being who would throw obstacles in the way of the Rakshahas & Asuras in an attempt to render them unfit to receive any further boons. Lord Shiva heeds to this request. 

One of the Amshas of Lord Shiva, a part of his power took the form of an brilliant being & was delivered out of the womb of Devi Parvathi. This being was named Vigneshwara by Parameshwara himself. Lord Shiva tasks Vigneshwara to be a major impediment in the path of rakshasas, asuras & other evil beings from attaining boons & other undesirable powers. At the same time Vigneshwara also has the power of removing obstacles in the path of noble & good beings. This is one of the account of the origins of Vigneshwara from the Puranas.

Account from the Shiva Purana

The Shivapurana gives the following account of the birth of Vigneshwara. This is from the Shwetakalpa. Jaya & Vijaya, the companions of Devi Parvathi suggested to her to have a personal Gana(attendant) attending to her exclusively. Parvathi heeds to this advice & creates a being out her own Amsha. Thus was born a handsome young boy. Parvathi orders this boy to keep strict vigil of her quarters with the instruction to not allow anyone inside without her permission. It is during this time that Lord Shiva himself is refused entry by this new Dwarapalaka. 

A fight ensues during this time between this valiant boy & Lord Shiva. Angered by this rude behaviour, Lord Shiva instructs his army of Bhuta-Ganas to fight this boy. In the fight that followed the little boy defeats all the Bhuta Ganas single-handedly. Lord Maha Vishnu & Lord Subramanya too try their hand at subduing this boy & they too fail. The stunned Lord Shiva finally manages to subdue him by slicing off the young boy's head.

The news of the killing of this young boy is broke to Parvathi by Sage Narada. Consumed by grief & anger, Parvathi Devi unleashes a host of terrible & terrific goddesses on the Devas who brought grief on her. Narada & other sages pray to Parvathi in order to calm her down & she is assured that her creation will be brought back to life. Lord Shiva then instructs the Devas to head north & bring the head of the first living being they meet & fix it on the neck of the beheaded creation of Devi Parvathi. 

The first being the Devas encounter would be an elephant with only a single tusk. Thus sprang to life again Ekadanta(single tusked), who is also known as Gajanana(elephant faced). Ekadanta apologises to his father Lord Shiva & other Devatas for causing them much grief. Lord Shiva in turn appoints his son as the leader of his attendants, the Ganas. Thus Gajanana also came to be known as Ganapathi( Commander of the Ganas)

The Varaha & Matsya Purana too mention in detail the origins of Ganesha, but the above two remain the most popular till this day.


32 different forms of Ganesha



1) Bala Ganapathi


Ganesha in his child form. He has four arms, each holding a fruit; namely mango, jackfruit, banana & sugarcane. He holds the modakam sweet with his trunk. The colour of this form of Ganesha is that of a rising sun.

2) Dhundi Ganapathi
Meaning "the Ganapathi sought after". He has four arms. His right hands holds a tusk & a japamala. The other two arms hold a kuthara(axe) & a ratnapatra(pot of gems)


3) Taruna Ganapathi

Taruna Ganapathi. Represents the youthful form of Ganesha. His arms carry paasa(rope), hook, kadubu(a sweet variety), guava fruit, tusk, paddy & sugarcane. He is red in colour.


4) Nrithya Ganapathi
He is depicted with 4 arms dancing under the sacred Kalpa vriksha(not seen here). He also holds a Trishula with his right upper arm. The colour of the body of this Ganesha has to be golden yellow.

5) Veera Ganapathi


Ganesha has 16 arms here! He wields some of the most fascinating weapons here. That include bhetala, dhanus, bhana, chakra, khagga(sword) , gada, mudgara(hammer), nagapasha, kunta(spear), kutthaara(axe), a dwaja, Alamba(hook),musala(club), trishula, kavacha. Veera Ganapathi is red in colour.


6) Shakti Ganapathi


This manifestation represents the powerful form of Ganesha. He has 6 arms with Shakti devi seated on his left lap. The general characteristics of Shakti Ganapathi are that he should be seated on the padmasana with a green coloured Shakti by his side, whom he should be embracing about her waist, and that there should be no contact between the hips of the god and the goddess. His colour should be that of the setting sun. He should hold the weapons paasa & vajra and be made to look terrific.


7) Dvija Ganapathi


Dvija Ganapathi. Meaning "the Ganapathi twice born" referring to Lord Shiva beheading & restoring him with an elephant's head at the orders of Parvathi devi. Dvija Ganapathi has 4 heads & 4 arms. Totally white in colour. His arms hold a rudraksha, kamandalu, dhanda & pustaka.


8) Vijaya Ganapathi


Victorious Ganapathi. He has 8 arms. According to the Mudgala purana, a purana exclusively dedicated to Ganesha there is also another depiction of Vijaya Ganapathi which is different to this one. Shows him seated on the mookshika & has 4 arms.


9) Rinamochana Ganapathi


Rinamochana Ganapathi. "Ganapathi the liberator from debts" Ganesha is seated on a lotus flower. He is the remover of impediments. He has 4 arms & white in colour. He holds varada mudra, an ankusha, a paasa & a payasapaatra. Invoking this Ganesha will remove all obstacles.


10) Maha Ganapathi


Maha Ganapathi. He is the representation of Ganesha as the supreme parabrahman. Shakti seated on his lap is called Pushti (nourishment).He has 10 arms & red in colour. His hands hold a tusk, pomegranate fruit, musala, sugarcane dhanus, chakra, paasa, kamala, paddy & ratnapatra. Famous Carnatic composer Shri Muthuswami Dikshatar has composed a very famous song on this form of Ganesha called Mahaganapathim manasa smaraami.


11) Shrishti Ganapathi


Ganesha is invoked in this manifestation as the creator of everything that is known. He is red in colour, has 4 arms each holding a tusk, ankusha, paasa & a mango fruit.

12) Heramba Ganapathi
Ganesha, the protector of the weak. He has 5 heads & his vahana is a Simha. He has 10 arms. He holds a Abhaya mudra, a japamala, nimbu fruit, musala, ankusha, paasa, parashu, kadubu sweet, tusk & left arm holds varada mudra which is symbolic of boon giving. The colour of Heramba Ganapathi has to be golden yellow.




13) Kshipra Ganapathi

Kshipra Ganapathi. The Ganesha who is easy to please. He has 6 arms & is red in colour. His hands hold a tusk, a twig of a Kapila vriksha tree, an ankusha & a pomegranate fruit. With the trunk he carries a ratnakumbha.

14) Urddhva Ganapathi
Urddhva Ganapathi. Meaning the "Elevated Ganesha." carries in five of his hands a kalhara flower, ears of paddy, a bow made of sugarcane, the bana  & the tusk. With one of his arms he embraces Shakti about her hip. The colour of this Ganapathi is golden yellow and that of the associated Shakti is like that of the lightning. Unfortunately the trunk is broken here & the shakti too is cracked.




15) Simha Ganapathi

Simha Ganapathi. He is lion faced with an elephant trunk. He has 8 arms & is white in colour. With his arms he holds a Veena, a twig of the Kalpa vriksha, a chakra, a kamala, ratnakumbha, Abhaya & varada mudras. This form of Ganesha symbolizes great strength & courage.




16) Durga Ganapathi

Durga Ganapathi. "The invincible Ganesha" having the same attributes of Goddess Durga, who too is invincible. He has 8 arms & is golden in colour. He holds an ankusha, a bhana, a japamala, a paasa, a dhanus, a kalpa vriksha twig, an apple & is dressed in red clothes.




17) Tryakshara Ganapathi

Tryakshara Ganapathi. Known as the Lord of the three most auspicious letters AUM. 
He has 6 arms each holding a ankusha, a mango fruit, a tusk, a ghanta. He also holds the modaka sweet with his trunk.




18) Sadashiva Ganapathi

Sadashiva Ganapathi. Ganesha of the highest manifestation. He has 5 faces & 10 arms. Much similar to the Sadashiva iconography of Lord Shiva. His arms hold many weapons similar to Sadashiva & there is also a Shakti seated on Ganesha's lap. This is a very rare depiction.




19) Haridra Ganapathi

Haridra Ganapathi. Turmeric Ganesha. He has 4 arms & is yellow in colour. His hands hold a tusk, an ankusha, the paasa & the modaka sweet.


20) Uddanda Ganapathi


Uddanda Ganapathi. This is the Ganesha who enforces Dharma. He has 10 arms & is accompanied by a Shakti. He is red in colour. His 10 arms each hold a tusk, musala, kamala, paasa, ankusha, paddy, kamandalu, sugarcane dhanus, chakra, shanka & pomegranate fruit.

21) Vighna Ganapathi
Vighna Ganapathi. He has 8 arms & is golden in colour. His hands hold a tusk, a chakra, pushpa bana, shanka, paasa, ankusha, sugarcane, parashu.



22) Vara Ganapathi


Vara Ganapathi. Boon giver Ganesha. He has 4 arms & is red in colour with Shakti seated on his lap.



23) Uchchhishta Ganapathi


Uchchhishta Ganapathi. He has 6 arms & is blue in colour. He holds an akshamaala, a pomegranate fruit, a kamala, a veena, paddy. Shakti is seated on his lap. She is called Vigneshwari.



24) Sankatahara Ganapathi


Sankatahara Ganapathi. The Ganesha who removes sorrow. He has 4 arms & is red in colour. He is dressed in blue & seated on a red lotus flower. He holds a vessel with payasam along with an ankusha & a paasa.



25) Siddhi Ganapathi


Siddhi Ganapathi is depicted in a standing posture. He is the Ganesha who is the epitome of achievement & self mastery. He is golden yellow in colour & has 10 arms using which he holds parashu, ankusha, musala, mudgara, alamba, kuthara, kunta, paasa, sugarcane & mango fruit.


26) Bhakthi Ganapathi
Bhakthi Ganapathi. The Ganesha who is dear to his devotees & is pleasant to look at. He has 4 arms (damaged here.. So is the trunk) He holds a banana, a mango, coconut & a payasapaatra.



27) Kshirpra Prasada Ganapathi


Kshirpra Prasada Ganapathi. The Ganesha who quickly rewards his devotees. He has 8 arms (sometimes 6) and is red in colour. He holds a tusk, an ankusha, lotus flower, Kalpa vriksha leaf, paasa, lemon fruit with his arms.



28) Ekaakshara Ganapathi


Ekaakshara Ganapathi. In this form Ganesha is identified with the Bheejakshara "Gam" He has 4 arms & is red in colour. He holds a single tusk, an ankusha, the paasa & modaka sweet.



29) Ekdanta Ganapathi


Ekdanta Ganapathi. Ganesha with a single tusk. He has 4 arms & is blue in colour. He holds a tusk, a japamala, a kuthara (hatchet) & laddu sweet. The hatchet is held to signify cutting the bonds of ignorance.



30) Yoga Ganapathi


Yoga Ganapathi. Ganesha is in a yogic posture & red in colour. His hands hold a akshamaala & sugarcane. This particular unfortunately is damaged. The trunk too is damaged. Yoga Ganapathi is described as wearing a robe which shines like the blue sapphire gem.



31/32) Panchamukha Ganapathi


Panchamukha Ganapathi. 5 faced Ganesha. While the Mudgala purana mentions a Dvimukha(two faced) & Trimukha(three faced) Ganapathi separately, this Temple at Nanjangudu has a murthi of Panchamukha Ganapathi instead. He is called Kadrimukha Ganapathi. He has 5 faces & 10 arms.




I have also written on 25 different forms of Lord Shiva from the same Temple that can be read HERE

And also on 10 different forms of Lord Dakshinamurthy from the same Temple that can be read HERE


References
Elements of Hindu Iconography by TA Gopinath Rao

Twenty Five forms of Lord Shiva as mentioned in the iconometric treatise; Sritattvanidhi

Aghora, Lingodbhava, Gajasurasmahara & Bhairava aspects of Lord Shiva
On the occasion of  Maha Shivaratri, here's my writeup on the many manifestations of Lord Shiva from the Srikanteshwara Swamy Temple at Nanjangudu near Mysuru in Karnataka. The iconography related to these forms of Lord Shiva find mention in the Sritattvanidhi, a treatise written by the then Maharaja of Mysore, Shri Krishnaraja Wodeyar III. 

Together these 25 forms are called Panchavimshatililamurti. All these manifestations are based on Puranas like the Shiva Purana & Shiva Agama texts. Apart from the Panchavimshatililamurti described in the Sritattvanidhi, we'll also be taking a look at few additional aspects of Lord Shiva which form the basis of the Ashdashta Murtas i.e. 64 different forms of Shiva as described in the Shaiva Siddhanta texts. 



Harihara, Ardhanarishwara, Brahmashiraschedaka & Veerabhadra. 



1) Srikanteshwara

Srikanteshwara
Srikanteshwara also known as Nanjundeshwara(the Lord who swallowed the poison) & Neelakanta (blue necked one) represents a manifestation of Lord Shiva during which he drinks the Halahala poison which appears as a result of Samudra Mantan. Here's a murthi of Lord Shiva with Goddess Parvathi Devi tightly holding onto his neck to prevent the poison from further entering the body. Hence the name Vishakanta.


2) Kalasamharamurthi

Kalasamharamurthi

Kalasamharamurthi
Lord Shiva manifests as Kalasamharamurthi (the vanquisher of time & death) to save his bhakta Markandeya from the wrath of Lord Yama who was determined to take away his life just at the tender age of 16. Moved by Markandeya's bhakti & enraged by Yama's decision to take away Markandeya's life, Lord Shiva manifests from the lingam when Yama's noose accidentally touches the lingam to which Markandeya was hugging onto tightly. (Observe closely, you can spot the carving of the noose around the lingam in pic 1) An enraged Kalasamhara kills Yama & grants immortality to Markendeya. Later at the pleading of other Devas, Lord Shiva restores Yama's life.



3) Tripurantakamurthi

Tripurantakamurthi

Tripurantakamurthi
Lord Shiva manifests as Tripurantakamurthi to destroy the 3 forts constructed by the 3 children(Taarakaaksha, Kamalaaksha and Vidyunmaali) of evil asura Taraka, who were wrecking havoc on the inhabitants of the 3 lokhas. Lord Shiva takes aim destroys each of the 3 forts with a shot of a single arrow. In this aspect Lord Shiva is depicted with four arms wielding a bow and arrow. He holds an axe & a galloping antelope on the upper pair of his arms. In the lower pair of the arms he holds a bow & an arrow. After burning down Tripurasura's forts, Tripurantaka applies its ashes on his forehead (Tripundra). He also performs a Rudra Tandava known as Tripuratandava right after this(will write on the different Tandavas in a separate post)



4) Jalandharamurthi


Jalandharamurthi


Jalandharamurthi

Jalandharamurthi, who is the creation of Lord Shiva himself, though he turns out to be asuric in nature. Jalandhara was said to be created from Shiva's 3rd eye when Lord Indra infuriates him.He is born from the ocean & turns out all powerful. Finally he is subdued by Shiva himself. He carries a Chattri & a Kamandala. Also wears Padaraksha (footwear).



5) Shankaranarayana

Shankaranarayana

Shankaranarayana also known as Harihara. A manifestation of Lord Shiva & Lord Maha Vishnu in a single form. What better shloka than the one below to appreciate the essence of this deity. 

शिवाय विष्णु रूपाय शिव रूपाय विष्णवे | 
शिवस्य हृदयं विष्णुं विष्णोश्च हृदयं शिवः ||

Meaning: Shiva and Vishnu are one & the same entity. They are essentially one & the same. They are the names given to the different aspects of the all pervading Supreme Parabrahman.

At the base of the murthi you can also notice the carvings of Vahanas of both Shiva & Vishnu. Vrishaba & Garuda. While the Shiva part holds a Abhayamudra (gesture of reassurance), Vishnu holds the Varadhamudra(gesture of boon giving)




6) Ardhanarishwara


Ardhanarishwara


Ardhanarishwara

Ardhanarishwara, one of the most popular iconography across all regions of Bharat. Ardhanarishwara represents how Shiva & Shakti are inseperable & how they are one & the same. The right half is Shiva & the left half is Parvati. Shiva holds the Abhayamudra & Parvathi the Varadhamudra.While Shiva holds a Parashu(axe) in his upper arm, the Devi holds a Kamala pushpa (Lotus flower). 


7) Brahmashiraschedakamurthi

Brahmashiraschedakamurthi
Seen here is a fearsome aspect of Lord Shiva known as Brahmashiraschedaka murthi. Shiva manifests in this form when he beheads Lord Brahma of his 5th head which was a personification of ego & arrogance. Seen in Shiva's left front arm is Brahma's severed 5th head.




8) Bhikshatanamurthi


Bhikshatanamurthi



Bhikshatanamurthi
This aspect of Lord Shiva is known as Bhikshatanamurthi. He is depicted as a Bhikshuka(beggar) here. Shiva assumes this form to atone for the terrible paapa of having severed Brahma's 5th head in his previous roopam as Brahmashiraschedakamurthi. Seen in his left arm is a bowl. He has 4 arms,front right arm feeding the deer with grass,back right arm holds a damaru, front left hand holds a kapala (bowl) back left hand holds a trishula. He is accompanied by a Bhutagana (attendant) who carries a bowl over his head. 

Lord Shiva wanders all the 3 lokhas in the form of Bhikshatana & finally is relived of his paapa of having severed Lord Brahma's when he reaches Varanasi. You'd have heard of "Brahmahatya"...its associated with Bhikshatana


9) Kankalamurthi

Kankalamurthi

Kankalamurthi
Kankalamurthi, an aspect of Shiva closely related to the previous two.Shiva as Bhikshatana approaches the gates of Vaikunta begging for food where he is denied entry by Vishvaksena, gate keeper of Vaikunta. Angered by his action, Bhikshatana transforms into Kankala & slays him using his Musala(Club)

This extreme action of Lord Shiva only further compounds his already existing accumulated paapa of having severed off Brahma's 5th head. Now he had the additional burden of carrying Vishvaksena's corpse along with Brahma's head.

Desperate to rid himself of the paapa, Shiva seek's Vishnu's advice. Lord Vishnu directs Shiva( now in the form of Kankalamurthi) to visit Varanasi where he would get Vimochana from all his paapa. Shiva follows this advice. He wanders all the 3 worlds before reaching Varanasi.

On reaching Varanasi, Brahma's skull falls off & Vishaksena's corpse disappears. Lord Shiva transforms from Kankalamurthi to his original form & is relieved of his paapa. There is a Kapalamochana Temple to this day in Varanasi. Such is Kashi's significance in Hindu Dharma.


10) Kiratarjuniyamurthi

Kiratarjuniyamurthi

Kiratarjuniyamurthi
Kiratarjuniya murthi. Lord Shiva assumes the form of a hunter & engages Arjuna in an epic battle which involves the slaying of an asura named Mukasura who assumes the form of a boar. Arjuna finally concedes defeat. He receives the Pashupatasthra as seen here for his valiance.

A little more background on the above episode. 

During their exile period in the forest, Draupadi urges the Pandavas to declare war against against the Kauravas. While Bhima agrees.. Arjuna as usual is left in two minds & confused. The final word however was with Yudhishthira. He decides against any such action.

The confused Arjuna not knowing what to do proceeds to embark on a vigorous penance to please Lord Shiva. Lord Shiva decides to put Arjuna to the test & sends an asura called Mukasura to scuttle Arjuna's penance. Mukasura assumes a form of a wild boar & charges towards Arjuna. Meanwhile Lord Shiva too descends to Bhoolokha in the form of a Kirata(hunter). 

An enraged Arjuna shoots an arrow at the charging Mukasura in an attempt to kill him for disturbing his penance. Simultaneously Kirata too shoots an arrow. It results in the death of Mukasura. Following this an argument ensues between Kirata & Arjuna as to who killed the boar.

What followed next was a ferocious battle between Arjuna & Kirata as depicted here. Its a epic battle that lasts of days. Arjuna despite his ace fighting skills isn't able inflict any damage on this hunter. He is left amazed.

It finally dawns on Arjuna that he is fighting none other than Lord Shiva himself & surrenders. Pleased with Arjuna's bhakti, Lord Shiva grants Arjuna one of the most powerful weapons, the Pashupatasthra, which Arjuna eventually uses to kill evil Jayadratha at Kurukshethra.




11) Chandikeshwaraprasannamurthi

Chandikeshwaraprasannamurthi

Chandikeshwaraprasannamurthi
Chandikeshwaraprasannamurthi, also called Chandeshanugrahamurthi. In this aspect Shiva along with Parvathi are depicted as blessing Chandeshwara, one of the 63 Nayanmars(Shaivaite saints) Chandeshwara is regarded as the guardian of Temple wealth & has a separate shrine in the NE direction of every Shiva Temple. The most famous depiction of this episode carved at the Gangaikonda Cholapuram temple.




12) Chakaradanamurthi

Chakaradanamurthi

Chakaradanamurthi
Chakaradanamurthi, also known as Vishnu Anugrahamurthi shows Lord Shiva presenting the Sudarshana Chakra to Maha Vishnu.



13) Somaskandamurthi

Somaskandamurthi

Somaskandamurthi
Somaskandamurthi. A representation of Lord Shiva which depicts him seated with Parvathi devi with the child Skanda in between them. At times the child Skanda is depicted even dancing. Both Shiva & Parvathi hold the Abhaya & Varada mudra. While Shiva holds a Parashu(axe) & a galloping antelope with his upper arms.




14) Ekapadamurthi


Ekapadamurthi



Ekapadamurthi
Ekapadamurthi. Here Shiva is depicted as one legged & 4 armed with torsos of Brahma & Vishnu appearing on either side. Together referred to as Ekapada-trimurthi. Lord Shiva holds a Trishula & Tanka in his rear arms while keeping the varada & abhaya mudra in the front arms. The Vishnu aspect is unfortunately damaged in the stucco sculpture.




15) Dakshinamurthi



Vatamoola Dakshinamurthi

Dakshinamurthi
Dakshinamurthi, the Guru(teacher) aspect of Lord Shiva. Here he is depicted as sitting beneath the Vata vruksha(Banyan tree) accompanied by his disciples. The tree represents the expanding universe,suggesting Dakshinamurthy presides over the cyclic process of sristhi(creation), sthiti(preservation) & samhara(absorption). 

The above particular iconography of Dakshinamurthi is known as Vatamoola Dakshinamurthi. There are additional forms of Dakshinamurthi. I have written on those forms which can be read Here




16) Vrishabarudamurthi


Vrishabarudamurthi


Vrishabarudamurthi

Vrishabarudamurthi. An aspect of Lord Shiva where he is depicted seated on his Vahana along with Parvathi devi. More on this aspect. Unable to bear the atrocities of the asura trio of Tripurasura, the Devas approach Shiva for help at Kailasa. A specially made chariot is given by the devas to Shiva to take the fight to Tripurasura. On the way to the battle the axle of the chariot breaks.

Just as the chariot is about to fall, Maha Vishnu stabilizes & prevents the chariot from falling. Vishnu for a moment is filled with pride that he is the only one in the entire universe capable of bearing the weight of Shiva.

Lord Shiva meanwhile increases his weight to an extent that Maha Vishnu is no longer able to support the chariot. He gives up. This is the story behind this manifestation. This is followed up by the slaying of Tripurasura, where Shiva, Brahma & Vishnu team up to slay the asuras.




17) Thandaveshwaramurthi


Thandaveshwaramurthi



Thandaveshwaramurthi
Thandaveshwaramurthi. An aspect of Lord Shiva depicting him performing the cosmic dance. Under his foot is the Apasmara, who is the personification of ignorance.Standing besides Lord Shiva is Goddess Gowri. There are 7 additional aspects of this particular form of Shiva. I'll be elaborating on it in a different post shortly.




18) Veerabhadra


Veerabhadra(center), Daksha(left) & Kali(right)


Veerabhadra & Daksha


Veerabhadra(center), Daksha(left) & Kali(right)
Veerabhadra. A fearsome manifestation of Lord Shiva who destroys Daksha Prajapati's yagna, beheading him for insulting Sati; Daksha's daughter who self immolates. Also seen standing besides Veerabhadra is Daksha, who is later forgiven & given a goat's head.




19) Lingodbhavamurthi


Lingodbhavamurthi

Lingodbhavamurthi. On the left is a small 3 headed figurine that is actually Brahma. The one on the right (damaged) is Vishnu. Brahma & Vishnu take the forms of a swan & a boar to investigate the origins of Shiva who appears as a flame.



20) Chandrashekaramurthi


Chandrashekaramurthi

Chandrashekaramurthi. When Lord Shiva partially relieves Chandra of a curse he receives from his father-in-law Daksha for failing to take proper care of his wives. The curse lifts when Shiva places Chandra on his his matted hair. Its the story of waxing & waning of the moon.




21) Uma Maheshwaramurthi


Uma Maheshwaramurthi
Uma Maheshwara murthi. Here Lord Shiva is seen sitting in the sukhaasana posture with Uma. The murthi is damaged unfortunately. Else the usual representation would've shown an antelope, a lilly flower & Abhsyamudra & Varadamudra in its entirety.




22) Kalyanasundara murthi


Kalyanasundaramurthi
Depicts the marriage of Shiva & Uma. Goddess Parvati is reborn as daughter of Himavata after the tragic happenings in her previous manifestation as Sati. This wedding was essential to fullfill the prophecy of the birth of Skanda & killing of Tarakasura.

The marriage leads to the birth of Kumara, who slays Tarakasura. Also on the wedding day is when Manmatha is reborn, after he was reduced to ashes by Shiva for striking him with the arrow of flowers to induce love towards Uma at the request of Lord Indra.

Also on the day of wedding is when the balance of the earth tilts heavily northwards when all the beings head north to witness the wedding. Lord Shiva sends Sage Agastya southwards to restore balance. Agastya is highly revered in Dakshina Bharat even to this day.




23) Kamasamhara murthi


Kamasamharamurthi

Kamasamhara murthi. In an attempt to save the world from Tarakasura, Manmatha attempts to wake Shiva from deep penance,which results in Shiva opening his 3rd eye & reducing him to ashes.Kama is seen sitting on a parrot wielding a bow made of sugarcane & arrows made of flowers.




24) Gajasurasamharamurthi


Gajasurasamharamurthi

Gajasurasamhara murthi. Gajasura, an evil asura capable of maya assumes the form of an elephants to terrorize the Shiva bhaktas of Varanasi. Lord Shiva appears out of the lingam to slay Gajasura. This iconography is extensively seen in Hoysala & Chola built temples.This iconography was also very popular in Pala ruled Bengal. It disappeared with the onslaught of islamic barbarians.



25) Aghoramurthi

Aghoramurthi
Aghoramurthi. He has a single face & 32 arms. On his head is a jata-makuta & chandra on it. The right hand holds Abhaya mudra. Also seen on upper rightarms are khadga, sula, chakra, damaru, bana, gada, kamala, kapala, jnanamudra, kunda, ankusa, askhamala, khatvanga and parasu. Aghoramurthy holds the Varadamudra with his left hand. Upper left arms hold a kavacha, tanka, paasa, mudgara, sarpa, agni, mriga, ghanta, dhanus, katyavalambita hasta, ratnas, a lily flower, musala & a pustaka. 


27) Simhaghnamurthi

Sharabeshwaramurthi
Simhaghnamurthi. Sometimes referred to as Sharabeshwaramurthi. Lord Shiva assumes this form of a fierce lion-bird to pacify Lord Vishnu who is in his Ugra Narasimha avatara just after slaying Hiranyakishapu.



28) Sukasanamurthi

Sukhasanamurthi
Sukasanamurthi. Lord Shiva is seated in a relaxed posture, extending the Abhaya & Varada mudra with his left leg folded & the right leg handing. This form describes his posture at Kailasa. Lord Shiva is sitting in the posture of ease.



29) Bhairava

Bhairava
Bhairava. He his accompanied by his vahana Shvana (dog). Interestingly he holding the Abhaya & Varada mudra with his arms (damaged here) as opposed to any weapons we are used to seeing. There are an additional 8 aspects of Bhairava depicted at the temple. I'll write about those in the separate post.

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