The Intricacies Of A Doorway Of A Nagara Style Temple

Nagara Temple Doorway

The doorway of a classical Nagara style temple is probably the highest expression of art achieved in Bharat. Each and every element of the doorway including the threshold is intricately decorated. The doorway is comprised of numerous elements. Lets have a look at each element.

Lalatabimba

This part of the doorway is called the Lalatabimba. A miniature form of the deity present inside the Garbagriha is depicted here.

Uttaranga

On top of the Lalatabimba is an element what is known as Uttaranga. It is where usually Brahma, Vishnu, Maheshwara & sometimes even Skanda along with their respective devis are depicted.

Dwara Shaka

Then comes Dwara Shakas. These are offsets surrounding the doorjamb . They are usually 1,3,5 or 7 in number. There are various types of Shakas depending on what is depicted. If it depicts lions, its called Simha shaka. Likewise there are Gandharva, Mituna & Patra(floral) shaka.

Dwarapala

Then we have the Dwarapalas guarding the Garbagriha on either side of the doorway. It could be Jaya - Vijaya, Ganga-Yamuna depending on the principal deity inside the Garbagriha.

Mandaraka

This element is called the Mandaraka. The name comes from the Mandara mountain which was used during the Samudra manthan to obtain Amrutha. Sometimes the event is depicted here.

Udumbara

Below the Mandaraka is the Udumbara, which is the lowest element among all. It is the threshold. It is unfortunately not visible in the original photo as it is buried beneath the mud. This is an equivalent example from the Suryanarayana temple at Osian.

Mithuna Shaka

An excellent example of Mithuna Shaka from Ashapuri Temple. Nagara architecture reached its peak crescendo in Madhya Pradesh area. The development of architecture came to an abrupt end following the invasions. Sadly we'll never know to what newer heights it would have reached.

Vishvanatha temple, Khajuraho. Under the patronage of the Chandelas of Jejakabhukti, Nagara architecture reached its very peak. Especially the gateway elements leading up to the Garbagriha. Just have a look at each element. So intricate, aesthetic, classy & so graceful.

Have written another post on "Structural elements of a Pallava monolithic rock cut Ratha type Temple" that can be read HERE

REFERENCE

Encyclopedia of Hindu Temple Architecture by MA Dhaky

Structural elements of a Pallava monolithic rock cut Ratha type Temple

Valayankuttai Ratha

This partially completed monolithic Pallava rock cut temple from Mahabalipuram presents a very good visual representation of how ancient Sthapatis (Architects) went about carving out material from a monolithic rock. Valayankuttai Ratha was being built during the reign of Pallava emperor Parameshvaravarman I who reigned during the years 670-695 CE.

Arjuna Ratha

If the Sthapatis had managed to complete the Valayankuttai Ratha, it would have looked similar to the Arjuna Ratha above. The Arjuna Ratha is from the Pancha Ratha Temple complex, an UNESCO world heritage monument. The Upapeetha(base) & Adisthana(plinth) remained incomplete in the Valayankuttai Ratha.

Upapeetha (Base)

This is also a good opportunity to understand the different elements that make up a Ratha type temple. It basically comprises of 6 major parts or Angas as it is called in the Shilpashastra. Lets have a look with the above example. Bottom most part is the Upapeetha, the sub base.

Adisthana (Plinth)

On top of the Upapeetha, we have the Adisthana. Usually these two elements are referred to as a single element. The rest of the Temple structure rests on this element. Sometimes the the Adisthana is intricately carved with a variety of ornate carvings. Usually Simhas (lions) & Ashvas (horses). The Adisthana itself is further divided in a series of sub parts Kandhara, mahapatti, jagati, kumuda, kampa, kapota, pratimuka, vaajana etc. But we'll have a look at only the basic 6 elements for now.

Paada (Wall)

This part is the Paada (walls). The paada also contain a number of Sthambas (pillars). The recess where carvings are made is called the Koshtha. In the case of the Arjuna Ratha there are 5 carvings On either side is a Pratihara (Guard). In centre we have Skanda seated on elephant.

Prasthara (Entablature)

Then comes the Prasthara or what in english we call as entablature. It is basically a horizontal beam which seperates the Paada(wall) from the upper structure. Prasthara too has a number of elements like Kapota, Uttira, Vyalavari etc. All these elements are intricately decorated.

Haara (Parapet)

This element is the Haara, the Parapet. The Ratha/Vimana type Temple can have a number of storeys. The Arjuna ratha is an example of a simple two storeyed Temple (Dvi-Tala). A ratha type Temple can have as high as 16 storeys. Each one of them is called jaati Vimana.

Griva (neck)

Shikhara (Spire)

Finally we have the Shikhara which is the spire. On top of it we usually have a Sthupi or Kalasha(which is not visible here). These are few elements of a Vimana type temple.

Dharmaraja Ratha

Dharmaraja ratha is the tallest among Pancharatha temples. It is a tri-tala (3 storeyed) Vimana type Temple. Each one of the storeys are functional. Despite its grand look, it is actually an unfinished temple. We can only imagine how much more grander finished one would have been.

REFERENCE

Encyclopedia of Hindu Temple Architecture by MA Dhaky